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“The Tortured Poets Department” is filled with hidden depth
Flannery Poon
, News Editor
May 17, 2024
“WE DON’T TRUST YOU” loses listeners’ trust in creating a well produced album
Laura Cleves
, DEI Managing Editor
April 10, 2024
Beyoncé continues to dazzle with new genre-defying album “Cowboy Carter”
Tobias Jehn
, Arts Editor
April 3, 2024
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Xenofon Papamichail
, Sports Managing Editor
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“1989 (Taylors Version)” falls short of former glory
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, Arts Editor
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Doja Cat explores personal image more than musical style in “Scarlet”
Laura Cleves
, DEI Managing Editor
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Mitski probes and picks at her fatalistic thoughts in “The Land is Inhospitable And So Are We”
Laura Cleves
, DEI Managing Editor
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“Speak Now (Taylor’s Version)” stays “Timeless” and enchanting
Flannery Poon
, News Editor
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Foo Fighters return in triumph
Aidan Woelfel
, Arts Editor
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Gorillaz’s “Cracker Island” is a marvel by every measure
Aidan Woelfel
, Arts Editor
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Drake and 21 Savage return to their roots with “Her Loss”
Benjamin Kaplan
, Sports Managing Editor
November 18, 2022
Taylor Swift’s “Midnights” is a sparkling success
Lia Fox
, Arts Editor
October 26, 2022
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