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The Boy and the Heron: an abstract masterpiece
Hannah Wells
, Arts Editor
January 28, 2024
Confidence takes center stage at Spotlight Theatre
Claudia Rothman
, Staff Writer
January 25, 2024
Peeps: What does your doodle represent?
Daphna Amzallag
, Arts Editor
January 19, 2024
An inside look at the Coolidge Corner Theater expansion project
Reuben Pomerantz
, Opinions Editor
January 17, 2024
Ori Levy’s “Ori Originals”: quarantine-based artistic passion turned into business
Maria Udalova
, Staff Writer
January 17, 2024
“Comrade Sisters: Women of the Black Panther Party” puts a spotlight on female empowerment
Lia Fox
, Editor-in-Chief
January 17, 2024
Theater for Social Change explores topic of mental health in “All in Your Head”
Laura Cleves
, DEI Managing Editor
January 16, 2024
Fiction and Film class brings students behind the scenes
Daria Stoyanova
, Staff Writer
January 10, 2024
“Needs Improvment” show needs no improvements
Marcus Peng
, Arts Editor
January 10, 2024
“The Boys in The Boat” doesn’t hold water
Marcus Peng
, Arts Editor
January 9, 2024
Theater accessibility ensures no one is left behind
Ellie Hong
, Staff Writer
January 9, 2024
“Napoleon” oversells and underdelivers
Tobias Jehn
, Arts Editor
January 8, 2024
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